Posts Tagged ‘jamendo’

Earning money from your music – royalties, licensing, ad and streaming revenue

So I posted this bit of info on my Facebook page earlier today – I thought I’d re-post it here in case it’s of interest to anyone! :)

1) PRS, PPL & MCPS are the UK organisations for collecting royalties. The PRS deal in public performance royalties as do PPLPRS is any use of a song (ie composition) performed live, played on radio etc, whereas PPL is for performances of the actual recordings of your song – however if your song is played on the radio you’d get royalties from both as it would cover both a performance of your recording and your composition. MCPS is to do with mechanical sales – so CD sales etc – it costs to join the MCPS and is only really worth doing if you’re selling LOADS of records.

I’d recommend signing up with a company called Sentric (www.sentricmusic.com), who can collect PRS royalties on your behalf. It’s free to join and they take a 20% cut. That sounds like a lot but the PRS claiming process is so difficult and convoluted and Sentric make it 100% easier to earn royalties so you’ll likely make more money through using them (I do.)

Sentric can also get your music TV and film placements, which leads me on to no.2

2) licensing! Getting placements through TV, film, documentaries, videogames etc can be a good earner. Sentric are great for getting placements – although they mainly only deal with big companies (eg channel 5, the producers of Skins and Hollyoaks.) It’s a lot easier to get your music licensed for smaller projects, eg. company office use, call centres, cafes and bar playlists and small films and documentaries etc. For these I use a site called Jamendo. Jamendo also give its users ad revenue from the site based on how many page impressions you get. To get all these benefits though you have to be giving your music away for free download, which is the main purpose of the site (it’s a creative commons music community.)

3) streaming and ad revenue. There’s stuff like google adwords, which you can potentially put on your website but it’s a bit spammy. Youtube have two partner programs, the 1st of which is easy to get on to if you upload videos fairly regularly and get a few hundred views for each video. You then get adverts shown on your videos and earn a share of the ad revenue youtube gets. It pays pretty well.

Then there’s streaming sites like Spotify (which pays sod all.) If you are releasing music to iTunes and Amazon etc through CDbaby, CDbaby can collect streaming revenue from nearly anywhere your music is streamed online.

This is just skimming the basics, but hopefully it will prove useful! :)

- Marc.

Anger at education system leads to obsessive music making…do I win?

The Kala Sessions. A result of frustration and the need to unwind.

So from Friday 19th March – Sat 20th I was holed up in my bedroom making music. It feels like I haven’t done that in a while. I mean after making my album Perfectly Fine I was pretty tired of recording and mixing. I’ve still been doing it as I’ve been writing a lot of new music lately, and I’m slowly working on another album – but these two days were different. I sat down and wrote, recorded, mixed and mastered two songs in two days. The album has just been bits here and there so far. This time however I was in a total creative zone where for those 48 hours the music just totally took over. I haven’t enjoyed that feeling in a while – just being impulsive and making some music, without really any purpose or taking into account the outcome. I just did it for the there and then, and it really helped take my mind off things.

You see, long story short, I’d had a bad week. For those of you who don’t know, I’m doing a degree in music technology. Last week I got my marks back from a big sound to picture (creating sound effects and a score for film trailers) module and they were a major shock. Apparently I had handed in the video files in the wrong format (ie the audio and video files were sepearate, but that was because there were two different audio mixes.)

Yes, the educational system does not like it when things aren’t submitted correctly. Even when you’ve quite clearly done the work, spent countless hours on it, & the evidence of that is plain to see. Nevertheless, the wrong-formatting led to me being passed on the whole module because it was technically ‘late’ (if you don’t hand things in on time in uni land, you can only get a pass.) Even though in reality it wasn’t late at all.

What good is an educational system that treats people who work extremely hard in this way? Deadlines are there to ensure work is done on time – and if it is but there’s a technical hitch then surely leniency should be allowed? I mean really, does everyone just have to blindly follow the rules even when it’s obvious my kind of mistake was clearly not why they were put there in the first place?

I don’t know, I’ve worked so hard on this course, and this mark could potentially change my whole grade for the year as it’s worth like 15% of our overall mark. Gutted would be an understatement :(

Aaaaaaaaaanyway, the point is my frustration led me saying to myself fuck it, I’m gonna spend a bit of time enjoying myself being creative, and forget about my uni work while I can.

So after finishing these tracks I wondered what to do with them. Do I hold them back for the next album? I mean these songs were just a bit of spontaneous fun, do I really want to take them further in that respect?

Well the answer was no, so I’ve just decided to put them out as a free download.

They’re available HERE from marcreeves.co.uk & also at Jamendo.com

Enjoy.

[youtube=http://www.youtube.com/watch?v=3i4ZMhNhbXI]

[youtube=http://www.youtube.com/watch?v=OHRmYwUiuAg]

Just a little background info on these recordings for those interested. Waiting for You was recorded totally live with just me and my Kala KA-B Baritone Ukulele. I Want Out was recorded by recording my ukulele first, and then overdubbing my vocals. The organ was also overdubbed as unfortunately i’m lacking in the the ability to play guitar and organ simulatenously :( Oh and the bass again for the same reason.

For you tech-heads it was recorded with an Audio Technica AT2020 LDC microphone and a Takstar & Red 5 Audio SDC mics, through a Echo Layla 3G audio interface into Pro Tools 9. All the mixing & mastering was done in Pro Tools also.


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